Edited by Rosa Barovier and Cristina Tonini
INDEX
Rosa Barovier Mentasti and Cristina Tonini, Tools to Study Glass: Inventories, Paintings and Graphic Works of the 16th century;
Paolo Zecchin, The Inventory of Matteo Priuli in the year 1700;
Marco Verità, Secrets and Innovations of Venetian Glass between the 15th and the 17th centuries: Raw materials, Glass melting and artefacts;
Juanita Navarro and suzanne Higgott, Work in Progress: ‘Venetian and Façon de venise all-Glass composites or Hybrids: manufacture, detection and distribution’;
Chiara Berichillo, The Small centre of Piegaro and its ancient links with Glass Production;
Kinga Tarcsay, Studies on Glass in Venetian Style of the 16th and 17th centuries in Austria;
Kitty LAmeris, Some new Insights about 16th and 17th century vetro a retortoli;
Andrew Meek, Qualitative compositional analysis of a late 16th century enamelled Glass Goblet;
Dora Thornton, Venice or Façon de venise? Two enamelled Glasses in the British museum;
Käthe Klappenbach, Venetian chandeliers from the 16th century onward and their Influence on chandelier Production in Europe and Brandenburg-Prussia;
Bettina K. Schneider, The Restoration of a Glass arm chandelier from the middle of the 19th century Belonging to the Prussian Palaces and Gardens in Berlin-Brandenburg;
Corinna Mattiello, Restoration Techniques;
Lavinia De Ferri, Andrea Lorenzi, Pier Paolo Lottici, Angelo Montenero and Giovanna Vezzalini, Protection of Historical Glasses by Hybrid Sol Gel coatings;
António Pires de Matos, Robert Wiley, Magda Toreira, Carlos Queiroz, Andreia Ruivo, Nuno Paulino and César Laia, Venetian Glass in contemporary art.
Study Days on Venetian Glass. Approximately 1600’s
