Edited by Rosa Barovier and Cristina Tonini
INDEX
Rosa Barovier Mentasti and Cristina Tonini, Venetian diamond-point engraved and gilt glass of the Renaissance and Baroque period;
Marco Verità, Paola Santopadre, Andrea Cagnini and Simone Porcinai, Medieval italian gilded glasses decorated with cut and engraved gold leaf;
Rainald Franz, Diamond-point engraved and cold painted glass decoration in Austrian glass from the 16Th to the 17Th century: from Hall to Ambras to Vienna;
Eva Lenhart, Diamond-point engraving and lampworking: a covered goblet with Crucifixion group from the glass collection of Archduke Ferdinand II of Tyrol;
Alice Fuin, Reverse cold-painted renaissance glass: the relationship with prints and the importance of iconographic recognition for chronological hypotheses. Some case studies from the Murano Glass Museum collection;
Mauro Stocco, The reliquary of Burano in the Museo del Vetro of Murano.
Study Days on Venetian Glass. Diamond-Point Engraved and Cold-Painted Golass of the Renaissance And Baroque Periods
